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Plate 2 Bertoldo Holding A Tart In His Hand And Wearing A Sieve On His Head

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 3 Bertoldo Holding A Hare In His Hand

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 10 Bertoldino Fastening Geese To His Belt

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 15 Menghina Leaving The Garden With A Basket Filled With Herbs And Encountering Cacasenno

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 1 Bertoldo Riding A Donkey

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 5 Bertoldo Putting The Jailor Into The Sack

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 17 Marcolfa Shows Cacasenno A Horse

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 19 Cacasenno Riding A Horse Backwards

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 11 Bertoldino Falling Into The Fish Pond

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 20 Cacasenno Eating A Bowl Of Pasta

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 16 Menghina Quiets Cacasenno With A Chestnut Cake

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 14 Bertoldino Cutting Off The Ears Of A Gardeners Donkey

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 12 Bertoldino Whipping Himself To Kill Flies

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

Plate 18 Cacasenno On Horseback

then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the capricious Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at lengt

From $159.00

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