Home Figurative George Elgar Hicks The Dead Goldfinch All That Was Left To Love

The Dead Goldfinch All That Was Left To Love Wall Art

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MUSEUM QUALITY PRINT Made to order Archival canvas, carefully produced for UK and Europe delivery.
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Personal use. Public domain artwork.

Product Details

The Dead Goldfinch All That Was Left To Love by George Elgar Hicks

View all artworks by George Elgar Hicks →

ArtistGeorge Elgar Hicks
Year1878
CategoryFigurative
Image Resolution2079 x 2501 px
OrientationPortrait
Material400gsm Cotton-Poly Blend Canvas
FinishMatte fine-art surface
Print MethodArchival giclee printing with UV-resistant inks
ConstructionSolid wood stretcher bar
HangingReady to hang on arrival
PackagingProtective packaging for safe delivery
ProductionMade to order as a museum-quality canvas print

Free shipping to UK & Europe. Delivery within 5-10 business days.

Choose your wall position, place the fixing point, then hang the ready-stretched canvas.

About This Artwork

The Dead Goldfinch All That Was Left To Love by George Elgar Hicks

About the Artist

George Elgar Hicks

About This Artwork

The Dead Goldfinch All That Was Left To Love (1878) by George Elgar Hicks captures the essence of Impressionism, blending Figurative elements with masterful composition, with its dominant Brown tones creating subtle visual harmony. George Elgar Hicks was an English painter during the Victorian era. He is best known for his large genre paintings, which emulate William Powell Frith in style, but was also a society portraitist. Available as a fine-art print on premium materials, made to last generations.

About the Artist
George Elgar Hicks was an English painter during the Victorian era. He is best known for his large genre paintings, which emulate William Powell Frith in style, but was also a society portraitist.

View all artworks by George Elgar Hicks →

Product Specifications

ArtistGeorge Elgar Hicks
Year1878
CategoryFigurative
Art StyleImpressionism
ColorBrown
Image Resolution2079 x 2501 px
OrientationPortrait
Material400gsm Cotton-Poly Blend Canvas
FinishMatte fine-art surface
Print MethodArchival giclee printing with UV-resistant inks
ConstructionSolid wood stretcher bar
HangingReady to hang on arrival
PackagingProtective packaging for safe delivery
ProductionMade to order as a museum-quality canvas print
SKU116201

Shipping & Production

Free Shipping to UK & Europe. Delivery within 5-10 business days. Shipping rates apply for US, Canada, Australia & Norway.

Ready to Hang - Each canvas arrives pre-stretched on a solid wood frame, ready to display on your wall.

Made to Order - Printed after purchase to keep the artwork sharp, clean and fresh.

Quality Guarantee - Every canvas is inspected before shipping and packed for safe delivery.

Final Sale - Each piece is made to order specifically for you, so all sales are final. If your order arrives damaged, contact us within 7 days for a replacement.

The Dead Goldfinch All That Was Left To Love by George Elgar Hicks

George Elgar Hicks

George Elgar Hicks was an English painter during the Victorian era. He is best known for his large genre paintings, which emulate William Powell Frith in style, but was also a society portraitist.

View all artworks by George Elgar Hicks →

ArtistGeorge Elgar Hicks
Year1878
CategoryFigurative
Image Resolution2079 x 2501 px
OrientationPortrait
Material400gsm Cotton-Poly Blend Canvas
FinishMatte fine-art surface
Print MethodArchival giclee printing with UV-resistant inks
ConstructionSolid wood stretcher bar
HangingReady to hang on arrival
PackagingProtective packaging for safe delivery
ProductionMade to order as a museum-quality canvas print
SKU116201

Free Shipping to UK & Europe. Delivery within 5-10 business days. Shipping rates apply for US, Canada, Australia & Norway.

Ready to Hang - Each canvas arrives pre-stretched on a solid wood frame, ready to display on your wall.

Made to Order - Printed after purchase to keep the artwork sharp, clean and fresh.

Quality Guarantee - Every canvas is inspected before shipping and packed for safe delivery.

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