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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
A donkey resting in a paddock Wall Art
ART BY: Johann Elias Ridinger
A donkey resting in a paddock Wall Art
ART BY: Johann Elias Ridinger
Standard, 612 × 800pxWEBP · Free
DownloadMax Size, 4,590 × 6,000pxJPG, Size: 6.0 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 32″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
A donkey resting in a paddock is an etchings by Johann Elias Ridinger (1698–1767). The artist is catalogued as German. The original is held by the Wellcome Collection, and the file offered here measures 4590 × 6000 px (6.0 MB). You will find it among Prints and Neoclassicism, in portrait format. Archive Lane holds 355 works by Johann Elias Ridinger, a German artist.
Johann Elias Ridinger was a German painter, engraver, draughtsman and publisher. He is considered one of the most famous German engravers of animals, particularly horses, hounds and hunting scenes.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Johann Elias Ridinger →
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Frequently asked questions
A donkey resting in a paddock is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
