Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
A Fallen Tree With Ruins Wall Art
ART BY: Paul Troger
A Fallen Tree With Ruins Wall Art
ART BY: Paul Troger
Standard, 800 × 541pxWEBP · Free
DownloadMax Size, 3,877 × 2,620pxJPG, Size: 5.8 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 16″ × 24″
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$131.99Large · 16″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
A Fallen Tree With Ruins is a public-domain artwork by Paul Troger (1698–1762), dated 1722. The artist is catalogued as Austrian. The high-resolution file measures 3877 × 2620 px (5.8 MB). You will find it among Drawings and Rococo, in landscape format. Archive Lane holds 42 works by Paul Troger, an Austrian artist.
Paul Troger was an Austrian painter, draughtsman, and printmaker of the late Baroque period. Troger's illusionistic ceiling paintings in fresco are notable for their dramatic vitality of movement and their palette of light colors.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Paul Troger →
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Frequently asked questions
A Fallen Tree With Ruins is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
