Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Mary Darly→
| Artist | Mary Darly |
| Category | Illustration |
| Style | Neoclassicism |
| Color | Beige |
| Resolution | 1318x1800 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 202882 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
A Macaroni Liveryman is a public-domain artwork by Mary Darly. The high-resolution file measures 1318 × 1800 px. It is filed under Illustration and Neoclassicism, in portrait format. Archive Lane holds 52 works by Mary Darly, a British artist.
Mary and Matthew Darly were English printsellers and caricaturists during the 1770s. Mary Darly was a printseller, caricaturist, artist, engraver, writer, and teacher. She wrote, illustrated, and published the first book on caricature drawing, A Book of Caricaturas [sic], aimed at "young gentlemen and ladies." Mary was the wife of Matthew Darly, also called Matthias, a London printseller, furniture designer, and engraver. Mary was evidently the second wife of Matthew; his first was named Elizabeth Harold.
A Macaroni Liveryman is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.