Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
A Man Writing at a Table Wall Art
ART BY: Wallerant Vaillant
A Man Writing at a Table Wall Art
ART BY: Wallerant Vaillant
Standard, 544 × 800pxWEBP · Free
DownloadMax Size, 2,787 × 4,096pxJPG, Size: 4.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 16″ × 24″
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$131.99Large · 16″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
A Man Writing at a Table is a print, mezzotint on laid paper by Wallerant Vaillant (1623–1677). The artist is catalogued as Dutch. The source scan comes from the National Gallery of Art, and the file offered here measures 2787 × 4096 px (4.1 MB). It is filed under Prints and Baroque, in portrait format. Archive Lane holds 126 works by Wallerant Vaillant, a Dutch artist.
Wallerant Vaillant was a painter of the Dutch Golden Age and one of the first artists to use the mezzotint technique, which he probably helped to develop.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Wallerant Vaillant →
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Frequently asked questions
A Man Writing at a Table is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
