Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
A peddlar and his slave Wall Art
A peddlar and his slave Wall Art
Standard, 800 × 557pxWEBP · Free
DownloadMax Size, 2,097 × 1,461pxJPG, Size: 0.7 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeSmall · 8″ × 12″
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$73.99Small · 8″ × 12″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
A peddlar and his slave is a print by Sir Henry Chamberlain, 2nd Baronet (1796–1844), dated 1822. The artist is catalogued as Brazilian. The original is held by the Wikimedia Commons, and the file offered here measures 2097 × 1461 px (0.7 MB). You will find it among Prints and Neoclassicism, in landscape format. Archive Lane holds 43 works by Sir Henry Chamberlain, 2nd Baronet, a Brazilian artist.
Captain Sir Henry Chamberlain, 2nd Baronet was a British Army officer of the Royal Artillery and an artist whose series of drawings of Brazil were well known in his time.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Sir Henry Chamberlain, 2nd Baronet →
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Frequently asked questions
A peddlar and his slave is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
