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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
A standing nude female figure seen from behind Wall Art
ART BY: Nicolas Cochin
A standing nude female figure seen from behind Wall Art
ART BY: Nicolas Cochin
Standard, 514 × 800pxWEBP · Free
DownloadMax Size, 3,858 × 6,000pxJPG, Size: 5.2 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$182.99XL · 20″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
A standing nude female figure seen from behind is an engravings by Nicolas Cochin (1610–1686). The artist is catalogued as French. This reproduction is based on the copy in the Wellcome Collection, and the file offered here measures 3858 × 6000 px (5.2 MB). Catalogued under Drawings and Baroque, in portrait format. Archive Lane holds 67 works by Nicolas Cochin, a French artist.
Nicolas Cochin (1610–1686), called the Elder, was a French draughtsman and engraver. He was born at Troyes in 1610, the son of a painter named Noel Cochin.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Nicolas Cochin →
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Frequently asked questions
A standing nude female figure seen from behind is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
