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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

A Trompe Loeil Painting With An Engraved Portrait Of King Charles I An Issue Of Fogs Journal Dated 1734 A Quill Pen And Sealing Wax Held Against A Wooden Backboard is a public-domain artwork by Jacobus Plasschaert (1689–1765), dated 1891. The artist is catalogued as Belgian. The high-resolution file measures 894 × 1800 px (1.9 MB). You will find it among Portraits and Impressionism, in portrait format. Archive Lane holds 2 works by Jacobus Plasschaert, a Flemish artist.
Jacobus Plasschaert or Jacob Plasschaert, spelling variation of name Plasgaert was a Flemish painter and teacher. He is known for his trompe-l'œil still lifes and vanitas still lifes.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Jacobus Plasschaert →
A Trompe Loeil Painting With An Engraved Portrait Of King Charles I An Issue Of Fogs Journal Dated 1734 A Quill Pen And Sealing Wax Held Against A Wooden Backboard is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
View all artworks by Jacobus Plasschaert→
| Artist | Jacobus Plasschaert |
| Year | 1891 |
| Category | Portraits |
| Style | Impressionism |
| Color | Gold |
| Resolution | 894x1800 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 22317 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.