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GOYA (FRANCISCO DE GOYA Y LUCIENTES)
Goya (Francisco de Goya y Lucientes)
ARTIST
163 artworks
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WALL ART
Portrait
Prints
Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)
Goya (Francisco de Goya y Lucientes)
Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
Goya (Francisco de Goya y Lucientes)
Plate 66 from "Los Caprichos": There it goes (Allá vá eso)
Goya (Francisco de Goya y Lucientes)
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
Goya (Francisco de Goya y Lucientes)
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Goya (Francisco de Goya y Lucientes)
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
Goya (Francisco de Goya y Lucientes)
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
Goya (Francisco de Goya y Lucientes)
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
Goya (Francisco de Goya y Lucientes)
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
Goya (Francisco de Goya y Lucientes)
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
Goya (Francisco de Goya y Lucientes)
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
Goya (Francisco de Goya y Lucientes)
Plate 36 from "Los Caprichos": A bad night (Mala noche)
Goya (Francisco de Goya y Lucientes)
Plate 44 from "Los Caprichos": They spin finely (Hilan delgado)
Goya (Francisco de Goya y Lucientes)
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
Maja and an officer; folio 22 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
Portrait of a Young Man
Goya (Francisco de Goya y Lucientes)
Baltasar Carlos on horseback
Goya (Francisco de Goya y Lucientes)
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya (Francisco de Goya y Lucientes)
Figures inside a prison (recto), a monstrous animal (verso)
Goya (Francisco de Goya y Lucientes)
Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)
Goya (Francisco de Goya y Lucientes)
Hanged Man
Goya (Francisco de Goya y Lucientes)
Men Spitting at a Fire
Goya (Francisco de Goya y Lucientes)
Philip III, King of Spain on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)
Goya (Francisco de Goya y Lucientes)
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
Goya (Francisco de Goya y Lucientes)
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
The garroted man (El agarrotado)
Goya (Francisco de Goya y Lucientes)
Self-Portrait; Plate 1 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
Revenge on Constable Lampiños; page 86 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman giving a mug to an old man; folio 93 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A country dance; page 89 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman attacking a sleeping man; page 87 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A man breaking up a fight; page 82 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Prisoners in irons; page 80 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Women and children near a cross; folio 78 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman pulling at her hair accompanied by a group of figures; page 76 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Figures waking from sleep (?); page 71 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Beggar with a staff in his left hand; folio 70 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Beggar with a staff in his right hand; folio 69 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Three acrobats; page 67 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A nun frightened by a ghost playing a guitar; page 65 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A man on the ground drinking from a wine skin; folio 63 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman talking to a priest in a covered archway; folio 59 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman kneeling before an old man; page 55 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A man stabbing another; folio 53 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Three men digging; folio 51 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)
Goya (Francisco de Goya y Lucientes)
Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
Goya (Francisco de Goya y Lucientes)
Plate 66 from "Los Caprichos": There it goes (Allá vá eso)
Goya (Francisco de Goya y Lucientes)
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
Goya (Francisco de Goya y Lucientes)
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Goya (Francisco de Goya y Lucientes)
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
Goya (Francisco de Goya y Lucientes)
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
Goya (Francisco de Goya y Lucientes)
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
Goya (Francisco de Goya y Lucientes)
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
Goya (Francisco de Goya y Lucientes)
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
Goya (Francisco de Goya y Lucientes)
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
Goya (Francisco de Goya y Lucientes)
Plate 36 from "Los Caprichos": A bad night (Mala noche)
Goya (Francisco de Goya y Lucientes)
Plate 44 from "Los Caprichos": They spin finely (Hilan delgado)
Goya (Francisco de Goya y Lucientes)
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
Maja and an officer; folio 22 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
Portrait of a Young Man
Goya (Francisco de Goya y Lucientes)
Baltasar Carlos on horseback
Goya (Francisco de Goya y Lucientes)
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya (Francisco de Goya y Lucientes)
Figures inside a prison (recto), a monstrous animal (verso)
Goya (Francisco de Goya y Lucientes)
Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)
Goya (Francisco de Goya y Lucientes)
Hanged Man
Goya (Francisco de Goya y Lucientes)
Men Spitting at a Fire
Goya (Francisco de Goya y Lucientes)
Philip III, King of Spain on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)
Goya (Francisco de Goya y Lucientes)
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
Goya (Francisco de Goya y Lucientes)
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
The garroted man (El agarrotado)
Goya (Francisco de Goya y Lucientes)
Self-Portrait; Plate 1 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
Revenge on Constable Lampiños; page 86 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman giving a mug to an old man; folio 93 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A country dance; page 89 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman attacking a sleeping man; page 87 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A man breaking up a fight; page 82 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Prisoners in irons; page 80 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Women and children near a cross; folio 78 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman pulling at her hair accompanied by a group of figures; page 76 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Figures waking from sleep (?); page 71 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Beggar with a staff in his left hand; folio 70 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Beggar with a staff in his right hand; folio 69 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Three acrobats; page 67 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A nun frightened by a ghost playing a guitar; page 65 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A man on the ground drinking from a wine skin; folio 63 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman talking to a priest in a covered archway; folio 59 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A woman kneeling before an old man; page 55 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
A man stabbing another; folio 53 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
Three men digging; folio 51 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
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