Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Willem Panneels→
| Artist | Willem Panneels |
| Year | 1636 |
| Medium | Etching; first state of two (Hollstein) |
| Origin | The Metropolitan Museum of Art |
| Original Size | Sheet (Trimmed): 3 7/16 × 5 3/16 in. (8.7 × 13.1 cm) |
| Category | Prints |
| Style | Expressionism |
| Color | Beige |
| Resolution | 1580x1062 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 479647 |
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This public domain artwork is offered as an original high-resolution digital download.
Atalanta and Meleager is an etching; first state of two (hollstein) by Willem Panneels (1600–1634), dated 1636. The artist is catalogued as Belgian. The source scan comes from the The Metropolitan Museum of Art, and the file offered here measures 1580 × 1062 px. It is filed under Prints and Expressionism, in landscape format. Archive Lane holds 135 works by Willem Panneels, a Flemish artist.
Willem Panneels was a Flemish engraver who was active in the first half of the 17th century. He is mainly known for the copies he made of drawings from the personal study of Rubens.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Willem Panneels →
Atalanta and Meleager is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.