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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Auferstehung des Lazarus Wall Art
ART BY: Eustache Le Sueur
Auferstehung des Lazarus Wall Art
ART BY: Eustache Le Sueur
Standard, 589 × 800pxWEBP · Free
DownloadMax Size, 3,289 × 4,465pxJPG, Size: 4.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 18″ × 24″
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$136.99Large · 18″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Auferstehung des Lazarus is a copper engraving print by Eustache Le Sueur (1616–1655), dated 1720-1786. The artist is catalogued as French. This reproduction is based on the copy in the The Albertina Museum, and the file offered here measures 3289 × 4465 px (4.1 MB). Catalogued under Prints and Rococo, in portrait format. Archive Lane holds 67 works by Eustache Le Sueur, a French artist.
Eustache Le Sueur or Lesueur was a French artist and one of the founders of the French Academy of Painting. He is known primarily for his paintings of religious subjects.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Eustache Le Sueur →
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Frequently asked questions
Auferstehung des Lazarus is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
