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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Christ Gathering His Garments after the Flagellation Wall Art
ART BY: Juan Correa
Christ Gathering His Garments after the Flagellation Wall Art
ART BY: Juan Correa
Standard, 800 × 488pxWEBP · Free
DownloadMax Size, 4,096 × 2,500pxJPG, Size: 2.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 16″ × 24″
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$131.99Large · 16″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Christ Gathering His Garments after the Flagellation is a painting, oil on canvas by Juan Correa (1646–1739), dated c. 1670s. The artist is catalogued as Mexican. The source scan comes from the National Gallery of Art, and the file offered here measures 4096 × 2500 px (2.1 MB). It is filed under Religion and Baroque, in landscape format. Archive Lane holds 4 works by Juan Correa, a Spanish artist.
Juan Correa (1646–1739) was a distinguished Mexican painter of the late seventeenth and early eighteenth centuries. His years of greatest activity were from 1671 to 1716.
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Frequently asked questions
Christ Gathering His Garments after the Flagellation is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
