Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Giulio Romano→
| Artist | Giulio Romano |
| Year | 1546 |
| Medium | Pen and brown ink, brush and brown wash |
| Origin | The Metropolitan Museum of Art |
| Original Size | 15-7/8 x 40-9/16 in. (40.4 x 103 cm) |
| Category | Drawings |
| Style | Renaissance |
| Color | Beige |
| Resolution | 3915x1575 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 413191 |
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This public domain artwork is offered as an original high-resolution digital download.
Copy after the Fresco with the Battle of Constantine in the Vatican Palace is a pen and brown ink, brush and brown wash by Giulio Romano (1499–1546), dated 1546. The artist is catalogued as Italian. The source scan comes from the The Metropolitan Museum of Art, and the file offered here measures 3915 × 1575 px (1.8 MB). It is filed under Drawings and Renaissance, in landscape format. Archive Lane holds 145 works by Giulio Romano, an Italian artist.
Giulio Pippi, known as Giulio Romano ( JOOL-yoh rə-MAH-noh and sometimes known in French as Jules Romain, was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Giulio Romano →
Copy after the Fresco with the Battle of Constantine in the Vatican Palace is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.