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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Death and Three Nude Women Wall Art
ART BY: Hans Sebald Beham
Death and Three Nude Women Wall Art
ART BY: Hans Sebald Beham
Standard, 565 × 800pxWEBP · Free
DownloadMax Size, 2,518 × 3,565pxJPG, Size: 2.9 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 16″ × 24″
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$131.99Large · 16″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Death and Three Nude Women is a print, engraving by Hans Sebald Beham (1500–1550). The artist is catalogued as German. This reproduction is based on the copy in the National Gallery of Art, and the file offered here measures 2518 × 3565 px (2.9 MB). Catalogued under Prints and Renaissance, in portrait format. Archive Lane holds 482 works by Hans Sebald Beham, a German artist.
Sebald Beham (1500–1550) was a German painter and printmaker, mainly known for his very small engravings. Born in Nuremberg, he spent the later part of his career in Frankfurt.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Hans Sebald Beham →
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Frequently asked questions
Death and Three Nude Women is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
