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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Drie klassieke bustes in profiel Wall Art
ART BY: Lucas Vorsterman I
Drie klassieke bustes in profiel Wall Art
ART BY: Lucas Vorsterman I
Standard, 677 × 800pxWEBP · Free
DownloadMax Size, 5,074 × 6,000pxJPG, Size: 6.8 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Drie klassieke bustes in profiel is a print, paper by Lucas Vorsterman I (1595–1675), dated 1622. The artist is catalogued as Belgian. This reproduction is based on the copy in the Rijksmuseum, and the file offered here measures 5074 × 6000 px (6.8 MB). Catalogued under Prints and Baroque, in portrait format. Archive Lane holds 109 works by Lucas Vorsterman I, a Flemish artist.
Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck, as well as for patrons such as Thomas Howard, 21st Earl of Arundel and Charles I of England.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Lucas Vorsterman I →
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Drie klassieke bustes in profiel is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
