Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Kano Tsunenobu→
| Artist | Kano Tsunenobu |
| Year | 1713 |
| Medium | Handscroll; ink and color on silk |
| Origin | The Metropolitan Museum of Art |
| Original Size | 12 3/4 in. × 16 ft. 1 1/4 in. (32.4 × 490.9 cm) |
| Category | Paintings |
| Style | Edo period (1615–1868) |
| Color | Brown |
| Resolution | 4000x1723 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 391218 |
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This public domain artwork is offered as an original high-resolution digital download.
Eight Views of the Xiao and Xiang Rivers is a handscroll; ink and color on silk by Kano Tsunenobu (1636–1713), dated 1713. The artist is catalogued as Japanese. The original is held by the The Metropolitan Museum of Art, and the file offered here measures 4000 × 1723 px (1.7 MB). You will find it among Paintings, in landscape format. Archive Lane holds 11 works by Kano Tsunenobu, a Japanese artist.
Kanō Tsunenobu (狩野常信) (1636–1713) was a Japanese painter of the Kanō school. He first studied under his father, Kanō Naonobu, and then his uncle, Kanō Tan'yū, after his father's death.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Kano Tsunenobu →
Eight Views of the Xiao and Xiang Rivers is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.