Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Sebald Beham→
| Artist | Sebald Beham |
| Year | 1550 |
| Medium | Woodcut |
| Origin | The Metropolitan Museum of Art |
| Category | Prints |
| Style | Renaissance |
| Color | Beige |
| Resolution | 4000x1128 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 416172 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
Entry of Charles V into Munich, June 10, 1530 is a woodcut by Sebald Beham (1500–1550), dated 1550. The artist is catalogued as German. The original is held by the The Metropolitan Museum of Art, and the file offered here measures 4000 × 1128 px (1.5 MB). You will find it among Prints and Renaissance, in landscape format. Archive Lane holds 55 works by Sebald Beham, a German artist.
Sebald Beham (1500–1550) was a German painter and printmaker, mainly known for his very small engravings. Born in Nuremberg, he spent the later part of his career in Frankfurt.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Sebald Beham →
Entry of Charles V into Munich, June 10, 1530 is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.