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Figurálne štúdie 130. Wall Art
ART BY: Ladislav Mednyánszky
Figurálne štúdie 130. Wall Art
ART BY: Ladislav Mednyánszky
Standard, 800 × 621pxWEBP · Free
DownloadMax Size, 5,000 × 3,884pxJPG, Size: 3.8 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 32″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Figurálne štúdie 130. is a paper by Ladislav Mednyánszky (1852–1919), dated 1880/1900. The artist is catalogued as Hungarian. The original is held by the Slovak national gallery, and the file offered here measures 5000 × 3884 px (3.8 MB). You will find it among Drawings and Realism, in landscape format. Archive Lane holds 401 works by Ladislav Mednyánszky, a Hungarian artist.
Baron László Mednyánszky, also known by his Latinized name Ladislaus Josephus Balthasar Eustachius Mednyánszky, was a Hungarian painter and philosopher, considered one of the most enigmatic figures in the history of Hungarian art. Despite an aristocratic background, he spent most of his life moving around Europe working as an artist.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Ladislav Mednyánszky →
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Frequently asked questions
Figurálne štúdie 130. is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
