Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Flucht nach Ägypten Wall Art
ART BY: Philippe Thomassin
Flucht nach Ägypten Wall Art
ART BY: Philippe Thomassin
Standard, 559 × 800pxWEBP · Free
DownloadMax Size, 2,888 × 4,136pxJPG, Size: 1.5 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 16″ × 24″
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$131.99Large · 16″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Flucht nach Ägypten is a copper engraving print by Philippe Thomassin (1562–1622), dated um 1600. The artist is catalogued as French. This reproduction is based on the copy in the The Albertina Museum, and the file offered here measures 2888 × 4136 px (1.5 MB). Catalogued under Prints and Renaissance, in portrait format. Archive Lane holds 55 works by Philippe Thomassin, a French artist.
Philippe Thomassin was a French engraver and publisher who emigrated to Rome. He was born in Troyes on 28 January 1562 and died on 12 May 1622 in Rome.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Philippe Thomassin →
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Frequently asked questions
Flucht nach Ägypten is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
