Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

Thomas Sutherland made Fox Hunting, No. 4, a print, aquatint and etching, made in 1800–38. The high-resolution scan comes from the Cleveland Museum of Art and measures 3,400 × 1,289 pixels. It is catalogued as English art. This is a public-domain work: free to preview, available in full resolution and as a print.
View all artworks by Thomas Sutherland→
| Artist | Thomas Sutherland |
| Year | 1800–38 |
| Medium | Print, aquatint and etching |
| Origin | Cleveland Museum of Art |
| Category | Drawings |
| Color | Brown |
| Resolution | 3400x1289 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 508525 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
Fox Hunting, No. 4 is a print, aquatint and etching by Thomas Sutherland (1785–1838), dated 1800–38. The artist is catalogued as English. The source scan comes from the Cleveland Museum of Art, and the file offered here measures 3400 × 1289 px (1.0 MB). It is filed under Drawings, in landscape format. Archive Lane holds 11 works by Thomas Sutherland, a British artist.
Thomas Sutherland (1785–1838) was a British engraver and aquatinter. As well as contributing illustrations to Rudolf Ackermann's The Microcosm of London, he also produced a series of prints based on the Peninsular War.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Thomas Sutherland →
Fox Hunting, No. 4 is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.