Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Geit en twee schapen Wall Art
ART BY: Karel du Jardin
Geit en twee schapen Wall Art
ART BY: Karel du Jardin
Standard, 734 × 800pxWEBP · Free
DownloadMax Size, 3,880 × 4,228pxJPG, Size: 4.5 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Geit en twee schapen is a print, paper by Karel du Jardin (1626–1678), dated 1652. The artist is catalogued as Dutch. The original is held by the Rijksmuseum, and the file offered here measures 3880 × 4228 px (4.5 MB). You will find it among Prints and Baroque, in portrait format. Archive Lane holds 93 works by Karel du Jardin, a Dutch artist.
Karel Dujardin was a Dutch Golden Age painter. Although he did a few portraits and a few history paintings of religious subjects, most of his work is small Italianate landscape scenes with animals and peasants, and other genre scenes.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Karel du Jardin →
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Frequently asked questions
Geit en twee schapen is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
