Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Charles Gore→
| Artist | Charles Gore |
| Year | 1787 |
| Category | Landscape |
| Style | Neoclassicism |
| Color | Beige |
| Resolution | 1800x816 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 287611 |
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This public domain artwork is offered as an original high-resolution digital download.
Herstmonceux is a public-domain artwork by Charles Gore (1853–1932), dated 1787. The high-resolution file measures 1800 × 816 px (1.2 MB). It is filed under Landscape and Neoclassicism, in landscape format. Archive Lane holds 16 works by Charles Gore.
Charles Gore was a Church of England bishop, first of Worcester, then Birmingham, and finally of Oxford. He was one of the most influential Anglican theologians of the 19th century, helping reconcile the church to some aspects of biblical criticism and scientific discovery, while remaining Catholic in his interpretation of the faith and sacraments. Also known for his social action, Gore became an Anglican bishop and founded the monastic Community of the Resurrection as well as co-founded the Christian Social Union. He was the chaplain to Queen Victoria and King Edward VII.
Herstmonceux is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.