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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Hll. Ignatius und Franz Xaver Wall Art
ART BY: Schelte Adamsz. Bolswert
Hll. Ignatius und Franz Xaver Wall Art
ART BY: Schelte Adamsz. Bolswert
Standard, 626 × 800pxWEBP · Free
DownloadMax Size, 3,405 × 4,353pxJPG, Size: 1.6 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Hll. Ignatius und Franz Xaver is a copper engraving print by Schelte Adamsz. Bolswert (1586–1659), dated 17. Jahrhundert. This reproduction is based on the copy in the The Albertina Museum, and the file offered here measures 3405 × 4353 px (1.6 MB). Catalogued under Prints and Renaissance, in portrait format. Archive Lane holds 234 works by Schelte Adamsz. Bolswert, a Flemish artist.
Schelte a Bolswert or Schelte Adamsz. Bolswert was a Frisian engraver who worked most of his career in Antwerp where he was one of the lead engravers in Rubens' workshop.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Schelte Adamsz. Bolswert →
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Frequently asked questions
Hll. Ignatius und Franz Xaver is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
