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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Horses. Running. Phyrne L. No. 40 Wall Art
ART BY: Eadweard Muybridge
Horses. Running. Phyrne L. No. 40 Wall Art
ART BY: Eadweard Muybridge
Standard, 800 × 574pxWEBP · Free
DownloadMax Size, 4,096 × 2,937pxJPG, Size: 2.6 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$136.99Large · 18″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Horses. Running. Phyrne L. No. 40 is a photograph, albumen silver print by Eadweard Muybridge (1830–1904), dated 1879. The artist is catalogued as American. This reproduction is based on the copy in the National Gallery of Art, and the file offered here measures 4096 × 2937 px (2.6 MB). Catalogued under Prints, in landscape format. Archive Lane holds 760 works by Eadweard Muybridge, a British artist.
Eadweard Muybridge was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Eadweard Muybridge →
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Frequently asked questions
Horses. Running. Phyrne L. No. 40 is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
