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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Charles Williams→
| Artist | Charles Williams |
| Year | 1814 |
| Medium | Hand-colored etching |
| Origin | The Metropolitan Museum of Art |
| Original Size | Sheet: 8 7/16 × 21 3/8 in. (21.5 × 54.3 cm) |
| Category | Prints |
| Style | Neoclassicism |
| Color | Beige |
| Resolution | 3961x1617 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 473647 |
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This public domain artwork is offered as an original high-resolution digital download.
Imperial Botany–or a Peep at Josephine's Collection of Engilsh Exoticks, vide the Champion Jany 30, 1814 is a hand-colored etching by Charles Williams (–1830), dated 1814. The artist is catalogued as English. The source scan comes from the The Metropolitan Museum of Art, and the file offered here measures 3961 × 1617 px. It is filed under Prints and Neoclassicism, in landscape format. Archive Lane holds 121 works by Charles Williams, a British artist.
Charles Williams was a British caricaturist, etcher and illustrator. He was chief caricaturist between 1799 and 1815 for the leading British publisher S.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Charles Williams →
Imperial Botany–or a Peep at Josephine's Collection of Engilsh Exoticks, vide the Champion Jany 30, 1814 is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.