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It is good to cut one's fingernails (Tsume tori yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)" Wall Art
ART BY: Totoya Hokkei
It is good to cut one's fingernails (Tsume tori yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)" Wall Art
ART BY: Totoya Hokkei
Standard, 712 × 800pxWEBP · Free
DownloadMax Size, 2,388 × 2,682pxJPG, Size: 1.9 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 16″ × 16″
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$112.99Medium · 16″ × 16″
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About this artwork
It is good to cut one's fingernails (Tsume tori yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)" is a color woodblock print; shikishiban, surimono by Totoya Hokkei (1780–1850), dated c. 1822. The artist is catalogued as Japanese. This reproduction is based on the copy in the Art Institute of Chicago, and the file offered here measures 2388 × 2682 px (1.9 MB). Catalogued under Prints and Japanese (culture or style), in portrait format. Archive Lane holds 195 works by Totoya Hokkei, a Japanese artist.
Totoya Hokkei was a Japanese artist best known for his prints in the ukiyo-e style. Hokkei was one of Hokusai's first and best-known students and worked in a variety of styles and genres and produced a large body of work in prints, book illustrations, and paintings.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Totoya Hokkei →
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It is good to cut one's fingernails (Tsume tori yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)" is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
