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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Jakob begraaft de afgodsbeelden Wall Art
ART BY: Claes Cornelisz. Moeyaert
Jakob begraaft de afgodsbeelden Wall Art
ART BY: Claes Cornelisz. Moeyaert
Standard, 800 × 560pxWEBP · Free
DownloadMax Size, 5,534 × 3,874pxJPG, Size: 4.4 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$182.99XL · 20″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Jakob begraaft de afgodsbeelden is a print, paper by Claes Cornelisz. Moeyaert (1592–1655), dated 1612 - 1655. The artist is catalogued as Dutch. The original is held by the Rijksmuseum, and the file offered here measures 5534 × 3874 px (4.4 MB). You will find it among Prints and Baroque, in landscape format. Archive Lane holds 27 works by Claes Cornelisz. Moeyaert, a Dutch artist.
Claes Corneliszoon Moeyaert or Nicolaes Moyaert or Mooyaert (1592–1655) was an authoritative Catholic Dutch painter. He followed Rembrandt in his use of red chalk.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Claes Cornelisz. Moeyaert →
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Frequently asked questions
Jakob begraaft de afgodsbeelden is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
