Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Kearsarce And Alabama 2 Wall Art
ART BY: Julian Oliver Davidson
Kearsarce And Alabama 2 Wall Art
ART BY: Julian Oliver Davidson
Standard, 800 × 573pxWEBP · Free
DownloadMax Size, 1,800 × 1,289pxJPG, Size: 1.8 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeSmall · 9″ × 12″
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$78.99Small · 9″ × 12″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Kearsarce And Alabama 2 is a public-domain artwork by Julian Oliver Davidson (1853–1894), dated 1887. The artist is catalogued as American. The high-resolution file measures 1800 × 1289 px (1.8 MB). It is filed under Illustration and Impressionism, in landscape format. Archive Lane holds 8 works by Julian Oliver Davidson, an American artist.
Julian Oliver Davidson was a 19th-century American marine artist and illustrator from Nyack, New York. He best known works of the famous naval battles of the American Civil War.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Julian Oliver Davidson →
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Frequently asked questions
Kearsarce And Alabama 2 is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
