Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Theodor de Bry→
| Artist | Theodor de Bry |
| Year | c. 1588 |
| Medium | Engraving in black on ivory laid paper |
| Origin | Art Institute of Chicago |
| Original Size | Image/sheet, trimmed within platemark: 8.4 × 2.3 cm (3 5/16 × 15/16 in.) |
| Category | Prints |
| Color | Beige |
| Resolution | 1079x2541 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 377258 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
Knife Handle (Lucretia) is an engraving in black on ivory laid paper by Theodor de Bry (1528–1598), dated c. 1588. The artist is catalogued as Belgian. This reproduction is based on the copy in the Art Institute of Chicago, and the file offered here measures 1079 × 2541 px (1.2 MB). Catalogued under Prints, in portrait format. Archive Lane holds 9 works by Theodor de Bry, a Walloon artist.
Theodore de Bry was a Walloon engraver, goldsmith, editor and publisher, famous for his depictions of early European expeditions to the Americas. The Catholic authorities forced de Bry, a Protestant, to flee his native, Spanish-controlled Southern Netherlands.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Theodor de Bry →
Knife Handle (Lucretia) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.