Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
La chute des anges rebelles Wall Art
ART BY: Antoine Rivalz
La chute des anges rebelles Wall Art
ART BY: Antoine Rivalz
Standard, 550 × 800pxWEBP · Free
DownloadMax Size, 4,125 × 6,000pxJPG, Size: 5.4 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$182.99XL · 20″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
La chute des anges rebelles is a painting by Antoine Rivalz (1667–1735), dated 1700. The artist is catalogued as French. The source scan comes from the Wikimedia Commons, and the file offered here measures 4125 × 6000 px (5.4 MB). It is filed under Religion, in portrait format. Archive Lane holds 14 works by Antoine Rivalz, a French artist.
Antoine Rivalz was a French painter. Born in Toulouse, Languedoc, the son of Jean-Pierre Rivalz, Antoine became the town's official painter, and was a talented portraitist of the society of the city in the 18th century.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Antoine Rivalz →
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Frequently asked questions
La chute des anges rebelles is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
