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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
La Mort et le Bûcheron (5th Plate) Wall Art
ART BY: Alphonse Legros
La Mort et le Bûcheron (5th Plate) Wall Art
ART BY: Alphonse Legros
Standard, 800 × 560pxWEBP · Free
DownloadMax Size, 3,400 × 2,379pxJPG, Size: 1.9 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 16″ × 24″
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$131.99Large · 16″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
La Mort et le Bûcheron (5th Plate) is a print, etching and drypoint by Alphonse Legros (1837–1911), dated c. 1857–1911. The artist is catalogued as French. This reproduction is based on the copy in the Cleveland Museum of Art, and the file offered here measures 3400 × 2379 px (1.9 MB). Catalogued under Prints and Realism, in landscape format. Archive Lane holds 1,060 works by Alphonse Legros, a French artist.
Alphonse Legros was a French, later British, painter, etcher, sculptor, and medallist. He moved to London in 1863 and later was naturalized as British.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Alphonse Legros →
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La Mort et le Bûcheron (5th Plate) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
