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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
La Seine au Bas-Meudon Wall Art
ART BY: Félix Bracquemond
La Seine au Bas-Meudon Wall Art
ART BY: Félix Bracquemond
Standard, 800 × 566pxWEBP · Free
DownloadMax Size, 1,631 × 1,153pxJPG, Size: 1.6 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$72.99Mini · 8″ × 10″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
La Seine au Bas-Meudon is an etching; second state of four by Félix Bracquemond (1833–1914), dated 1868. The artist is catalogued as French. The source scan comes from the The Metropolitan Museum of Art, and the file offered here measures 1631 × 1153 px (1.6 MB). It is filed under Prints, in landscape format. Archive Lane holds 499 works by Félix Bracquemond, a French artist.
Félix Henri Bracquemond was a French painter, etcher, and printmaker. He played a key role in the revival of printmaking, encouraging artists such as Édouard Manet, Edgar Degas and Camille Pissarro to use this technique.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Félix Bracquemond →
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Frequently asked questions
La Seine au Bas-Meudon is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
