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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Landschap met twee knielende figuren Wall Art
ART BY: Abraham Genoels
Landschap met twee knielende figuren Wall Art
ART BY: Abraham Genoels
Standard, 800 × 694pxWEBP · Free
DownloadMax Size, 3,910 × 3,394pxJPG, Size: 2.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 16″ × 20″
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$120.99Medium · 16″ × 20″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Landschap met twee knielende figuren is a print, paper by Abraham Genoels (1640–1723), dated 1650 - 1723. The artist is catalogued as Dutch. The source scan comes from the Rijksmuseum, and the file offered here measures 3910 × 3394 px (2.1 MB). It is filed under Prints and Baroque, in landscape format. Archive Lane holds 61 works by Abraham Genoels, a Flemish artist.
Abraham Genoels II or Abraham Genouil was a Flemish Baroque painter, draughtsman, engraver and tapestry designer. He is now mainly known for his landscape paintings, drawings and prints.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Abraham Genoels →
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Landschap met twee knielende figuren is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
