Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Marco Dente→
| Artist | Marco Dente |
| Year | 1519 |
| Medium | Engraving |
| Origin | The Metropolitan Museum of Art |
| Original Size | sheet: 7 11/16 x 14 3/16 in. (19.5 x 36.1 cm) |
| Category | Prints |
| Style | Renaissance |
| Color | Brown |
| Resolution | 2000x1099 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 445031 |
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This public domain artwork is offered as an original high-resolution digital download.
Le Bas Relief aux Trois Amours (The Throne of Neptune) is an engraving by Marco Dente (1493–1527), dated 1519. The artist is catalogued as Italian. This reproduction is based on the copy in the The Metropolitan Museum of Art, and the file offered here measures 2000 × 1099 px (1.9 MB). Catalogued under Prints and Renaissance, in landscape format. Archive Lane holds 118 works by Marco Dente, an Italian artist.
Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi in Rome, and is known for the imitative nature of the reproductive prints or close copies of other prints that were most of his output.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Marco Dente →
Le Bas Relief aux Trois Amours (The Throne of Neptune) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.