Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Le Chanteur Pierre Jélyotte Wall Art
ART BY: Antoine Coypel
Le Chanteur Pierre Jélyotte Wall Art
ART BY: Antoine Coypel
Standard, 690 × 800pxWEBP · Free
DownloadMax Size, 3,111 × 3,607pxJPG, Size: 1.5 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 16″ × 20″
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$120.99Medium · 16″ × 20″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Le Chanteur Pierre Jélyotte is a painting by Antoine Coypel (1661–1722), dated 1745. The artist is catalogued as French. This reproduction is based on the copy in the Wikimedia Commons, and the file offered here measures 3111 × 3607 px (1.5 MB). Catalogued under Portraits and Baroque, in portrait format. Archive Lane holds 61 works by Antoine Coypel, a French artist.
Antoine Coypel was a French painter, pastellist, engraver, decorative designer and draughtsman. He became court painter first to Philippe I, Duke of Orléans, and later to King Louis XV.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Antoine Coypel →
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Le Chanteur Pierre Jélyotte is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
