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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Lunch at Asnières Before Departing Wall Art
ART BY: Charles-François Daubigny
Lunch at Asnières Before Departing Wall Art
ART BY: Charles-François Daubigny
Standard, 800 × 520pxWEBP · Free
DownloadMax Size, 2,190 × 1,423pxJPG
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$73.99Small · 8″ × 12″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Lunch at Asnières Before Departing is a pen and ink on tracing paper, redrawn in graphite on verso by Charles-François Daubigny (1817–1878), dated 1862. The artist is catalogued as French. The original is held by the The Metropolitan Museum of Art, and the file offered here measures 2190 × 1423 px. You will find it among Drawings, in landscape format. Archive Lane holds 111 works by Charles-François Daubigny, a French artist.
Charles-François Daubigny was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Charles-François Daubigny →
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Lunch at Asnières Before Departing is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
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