Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Man die op het punt staat een trap af te dalen Wall Art
ART BY: Edouard Taurel
Man die op het punt staat een trap af te dalen Wall Art
ART BY: Edouard Taurel
Standard, 800 × 602pxWEBP · Free
DownloadMax Size, 4,708 × 3,540pxJPG, Size: 3.7 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Made to order · shipped locallySizes are matched to this artwork. Formats that aren’t its exact shape are centred and trimmed to fit — every size shows how much.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeXL · 24″ × 32″
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$197.99XL · 24″ × 32″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Man die op het punt staat een trap af te dalen is a public-domain artwork by Edouard Taurel (1824–1892), dated ca. 1834 - ca. 1892. The artist is catalogued as Dutch. This reproduction is based on the copy in the Rijksmuseum, and the file offered here measures 4708 × 3540 px (3.7 MB). Catalogued under Drawings, in landscape format. Archive Lane holds 21 works by Edouard Taurel, a Dutch artist.
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Frequently asked questions
Man die op het punt staat een trap af te dalen is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
