Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Margins for Landing in England Wall Art
ART BY: Félix Hilaire Buhot
Margins for Landing in England Wall Art
ART BY: Félix Hilaire Buhot
Standard, 586 × 800pxWEBP · Free
DownloadMax Size, 3,000 × 4,096pxJPG, Size: 2.6 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Made to order · shipped locallySizes are matched to this artwork. Formats that aren’t its exact shape are centred and trimmed to fit — every size shows how much.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 18″ × 24″
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$136.99Large · 18″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Margins for Landing in England is a print, etching, drypoint, aquatint, and roulette in brown ink on laid paper by Félix Hilaire Buhot (1879–1880), dated 1879. The artist is catalogued as French. The source scan comes from the National Gallery of Art, and the file offered here measures 3000 × 4096 px (2.6 MB). It is filed under Prints and Impressionism, in portrait format. Archive Lane holds 312 works by Félix Hilaire Buhot.
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Frequently asked questions
Margins for Landing in England is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
