Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

One Hundred Children in the Long Spring is a painting by Su Hanchen from 1150. Source: Wikimedia Commons. File size 6,000 × 347 pixels. Because the work is in the public domain, Archive Lane offers the full-resolution file for download and as a made-to-order print.
View all artworks by Su Hanchen→
| Artist | Su Hanchen |
| Year | 1150 |
| Medium | Painting |
| Origin | Wikimedia Commons |
| Category | Drawings |
| Color | Brown |
| Resolution | 6000x347 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 581526 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
One Hundred Children in the Long Spring is a painting by Su Hanchen (1101–1161), dated 1150. The artist is catalogued as Japanese. The original is held by the Wikimedia Commons, and the file offered here measures 6000 × 347 px (0.6 MB). You will find it among Drawings, in landscape format. Archive Lane holds 6 works by Su Hanchen.
Su Hanchen was a Chinese painter active in the Song dynasty. A native of Bianjing, he was renowned for his figure paintings and was appointed as a "Painter-in-Attendance" by Emperor Huizong.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Su Hanchen →
One Hundred Children in the Long Spring is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.