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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia is an etching by Pietro Santi Bartoli (1635–1700), dated 1677. The original is held by the The Metropolitan Museum of Art, and the file offered here measures 3670 × 1481 px. You will find it among Prints, in landscape format. Archive Lane holds 37 works by Pietro Santi Bartoli.
Pietro Santi Bartoli was an Italian engraver, draughtsman, painter and antiquarian.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Pietro Santi Bartoli →
Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
View all artworks by Pietro Santi Bartoli→
| Artist | Pietro Santi Bartoli |
| Year | 1677 |
| Medium | Etching |
| Origin | The Metropolitan Museum of Art |
| Original Size | Sheet: 3 9/16 × 9 7/16 in. (9.1 × 24 cm) Plate: 3 3/8 × 9 1/8 in. (8.6 × 23.2 cm) |
| Category | Prints |
| Color | Beige |
| Resolution | 3670x1481 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 471927 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.