Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Stefano della Bella→
| Artist | Stefano della Bella |
| Year | before 1648 |
| Medium | Etching on ivory laid paper |
| Origin | Art Institute of Chicago |
| Original Size | Image/sheet, cut within platemark: 8.3 × 20.4 cm (3 5/16 × 8 1/16 in.) |
| Category | Prints |
| Style | Baroque |
| Color | Beige |
| Resolution | 3000x1235 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 375113 |
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This public domain artwork is offered as an original high-resolution digital download.
Plate Four from Collection of Various Vases is an etching on ivory laid paper by Stefano della Bella (1610–1664), dated before 1648. The artist is catalogued as Italian. This reproduction is based on the copy in the Art Institute of Chicago, and the file offered here measures 3000 × 1235 px (1.4 MB). Catalogued under Prints and Baroque, in landscape format. Archive Lane holds 1,722 works by Stefano della Bella, an Italian artist.
Stefano della Bella was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes. He left 1052 prints, and several thousand drawings, but only one known painting.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Stefano della Bella →
Plate Four from Collection of Various Vases is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.