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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Prise de la Villa Pamfili Wall Art
ART BY: Denis Auguste Marie Raffet
Prise de la Villa Pamfili Wall Art
ART BY: Denis Auguste Marie Raffet
Standard, 618 × 800pxWEBP · Free
DownloadMax Size, 3,408 × 4,412pxJPG, Size: 1.5 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Prise de la Villa Pamfili is a lithography by Denis Auguste Marie Raffet (1804–1860), dated 1852. The artist is catalogued as French. This reproduction is based on the copy in the The Albertina Museum, and the file offered here measures 3408 × 4412 px (1.5 MB). Catalogued under Prints and Romanticism, in portrait format. Archive Lane holds 264 works by Denis Auguste Marie Raffet, a French artist.
Denis Auguste Marie Raffet was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Denis Auguste Marie Raffet →
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Frequently asked questions
Prise de la Villa Pamfili is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
