Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Rearing Horse And Rider Wall Art
ART BY: Antonio Tempesta
Rearing Horse And Rider Wall Art
ART BY: Antonio Tempesta
Standard, 664 × 800pxWEBP · Free
DownloadMax Size, 4,374 × 5,266pxJPG, Size: 21.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Rearing Horse And Rider is a public-domain artwork by Antonio Tempesta (1555–1630), dated 1572. The artist is catalogued as Italian. The high-resolution file measures 4374 × 5266 px (21.1 MB). Catalogued under Drawings, Renaissance and Horses, in portrait format. Archive Lane holds 449 works by Antonio Tempesta, an Italian artist.
Antonio Tempesta, also called il Tempestino, was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Antonio Tempesta →
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Frequently asked questions
Rearing Horse And Rider is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
