Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Chen Chun→
| Artist | Chen Chun |
| Year | 1544 |
| Medium | Handscroll; ink and color on paper |
| Origin | The Metropolitan Museum of Art |
| Original Size | 12 7/8 in. × 24 ft. 7 1/2 in. (32.7 × 750.6 cm) |
| Category | Paintings |
| Style | Ming (1368–1644) or Qing (1644–1911) dynasty |
| Color | Beige |
| Resolution | 1668x924 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 390896 |
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This public domain artwork is offered as an original high-resolution digital download.
River Landscape is a handscroll; ink and color on paper by Chen Chun (1942–), dated 1544. The artist is catalogued as Chinese. This reproduction is based on the copy in the The Metropolitan Museum of Art, and the file offered here measures 1668 × 924 px (0.2 MB). Catalogued under Paintings, in landscape format. Archive Lane holds 23 works by Chen Chun, an American artist.
Chen Chun, courtesy name Daofu and art name Baiyang Shanren, was a Ming dynasty artist, calligrapher, and poet. Born into a wealthy family of scholar-officials in Suzhou, he learned calligraphy from Wen Zhengming, one of the Four Masters of the Ming dynasty. Chen Chun later broke with Wen to favor a more freestyle method of ink wash painting. He was associated with the Wu School of literary painting. Mi Fu of the Song dynasty had a strong influence on his work. Chen executed many landscapes, but to a degree is noted as a "Bird-and-flower" painter.
River Landscape is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.