Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

Anthony van Dyck (1599–1641) made Saint Augustine in Ecstasy, a drawing, made in 1628. The high-resolution scan comes from Wikimedia Commons and measures 1,131 × 2,000 pixels. It is filed under Baroque within Belgian art. This is a public-domain work: free to preview, available in full resolution and as a print.
View all artworks by Anthony van Dyck→
| Artist | Anthony van Dyck |
| Year | 1628 |
| Medium | Drawing |
| Origin | Wikimedia Commons |
| Category | Religion |
| Style | Baroque |
| Color | Brown |
| Resolution | 1131x2000 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 663622 |
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This public domain artwork is offered as an original high-resolution digital download.
Saint Augustine in Ecstasy is a drawing by Anthony van Dyck (1599–1641), dated 1628. The artist is catalogued as Belgian. The source scan comes from the Wikimedia Commons, and the file offered here measures 1131 × 2000 px (0.2 MB). It is filed under Religion and Baroque, in portrait format. Archive Lane holds 858 works by Anthony van Dyck, a Flemish artist.
Sir Anthony van Dyck was a Flemish Baroque artist, who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Anthony van Dyck →
Saint Augustine in Ecstasy is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.