Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis) Wall Art
Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis) Wall Art
Standard, 800 × 604pxWEBP · Free
DownloadMax Size, 3,349 × 2,528pxJPG, Size: 1.6 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 12″ × 16″
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$101.99Medium · 12″ × 16″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis) is a red chalk; composition outlined on three sides with the same. on off-white paper by Anonymous, Spanish, School of Seville, 17th century, dated 1700. The source scan comes from the The Metropolitan Museum of Art, and the file offered here measures 3349 × 2528 px (1.6 MB). It is filed under Drawings, in landscape format. Archive Lane holds 41 works by Anonymous, Spanish, School of Seville, 17th century.
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Frequently asked questions
Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
