Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Caspar van Wittel→
| Artist | Caspar van Wittel |
| Year | ca. 1674 - ca. 1736 |
| Origin | Rijksmuseum |
| Category | Drawings |
| Color | Beige |
| Resolution | 11764x2905 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 406607 |
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This public domain artwork is offered as an original high-resolution digital download.
Sketches of Anzio, a Fountain and a Boat / Recto: Panorama of the Bay and Cities of Anzio and Nettuno is a public-domain artwork by Caspar van Wittel (1653–1736), dated ca. 1674 - ca. 1736. The artist is catalogued as Dutch. This reproduction is based on the copy in the Rijksmuseum, and the file offered here measures 11764 × 2905 px (4.1 MB). Catalogued under Drawings, in landscape format. Archive Lane holds 8 works by Caspar van Wittel, a Dutch artist.
Caspar van Wittel or Gaspar van Wittel, known in Italian as Gaspare Vanvitelli or Gasparo degli Occhiali, was a Dutch painter and draughtsman who had a long career in Rome, Papal States. He played a pivotal role in the development of the genre of topographical painting known as veduta.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Caspar van Wittel →
Sketches of Anzio, a Fountain and a Boat / Recto: Panorama of the Bay and Cities of Anzio and Nettuno is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.