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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Sizes are matched to this artwork. Formats that aren’t its exact shape are centred and trimmed to fit — every size shows how much.
St. Peter og englene modtager en sjæl i paradiset is a public-domain artwork by Belisario Corenzio (1558–1646), dated 1570-1670. The artist is catalogued as Greek. This reproduction is based on the copy in the SMK National Gallery of Denmark, and the file offered here measures 4586 × 6000 px (4.3 MB). Catalogued under Prints and Baroque, in portrait format. Archive Lane holds 11 works by Belisario Corenzio, a Greek-Italian artist.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
St. Peter og englene modtager en sjæl i paradiset is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
Belisario Corenzio (1558–1646) is the artist behind St. Peter og englene modtager en sjæl i paradiset, dated 1570-1670. The source copy is at the SMK National Gallery of Denmark; the file offered here is 4,586 × 6,000 pixels. It is catalogued as Greek art. The work is in the public domain, so the full-resolution file can be downloaded and printed without licence restrictions.
View all artworks by Belisario Corenzio→
| Artist | Belisario Corenzio |
| Year | 1570-1670 |
| Origin | SMK National Gallery of Denmark |
| Category | Prints |
| Style | Baroque |
| Resolution | 4586x6000 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download; prints made to order and shipped locally |
| SKU | 709559 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
Prints.Every print is made to order at the production partner closest to you, then shipped directly. Typical delivery to the US is 5–11 business days depending on the material — framed pieces take the longest.
This public domain artwork is offered as an original high-resolution digital download.
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.