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Prints Wall Art
WALL ART
37,376 artworks
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970
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15,335
WALL ART
Landscape
Le Jouer de Vielle (The Hurdy-Gurdy Player), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Jacques Callot
La Jouer de Cornemuse (The Bagpipe Player), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Jacques Callot
Frontispiece, from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Jacques Callot
Hocus Pocus–or Conjurors Raising the Wind
Charles Williams
A Paradice [sic] for Fools–A Nocturnal Trip–or–The Disciple of Johanna benighted–vided Scourge No. XXXVI, page 510
Charles Williams
A Peep at St. Peter or The Poet in a Pickle
Anonymous, British, 18th century
Cestina Warehouse or Belly Piece Shop
Isaac Cruikshank
A Sepulchral Enquiry into English History
George Cruikshank
The Wedding Night
Isaac Cruikshank
Demaskiert (Unmasks)
Ernst Oppler
Lille: Ruine
Ernst Oppler
Lille: Porte de Donai
Ernst Oppler
The Crucifixion
Hendrick Goltzius
Coquette
Ernst Oppler
Pursuit
Ernst Oppler
Vision
Joseph Vogel
The Dressmaker
Henri Jean Augustin de Braekeleer
River God Po reclining on a rocky bank, a winged putto and long-necked water bird stand behind his legs
Giovanni Battista Scultori
Two winged putti riding parallel on dolphins above the water surface, an oval composition
Adamo (Ghisi) Scultori
Hercules at the cross-roads, he is seated at the right, to the left are female personifications of Virtue and Vice
Adamo (Ghisi) Scultori
Shepherd and Shepherdess, Playing Flute
Marco San Martino
Port Scene
Pierre Moreau
View of a Funerary Monument and Crypt
Pierre Moreau
View of a Temple
Pierre Moreau
Funerary Scene in a Temple
Pierre Moreau
Bacchanale with Children and Donkey
Jean-Baptiste Carpeaux
Title Page from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
The Battle of Constantine at the Milvian Bridge, after Raphael
Giovanni Battista Cavalieri
Carl Ernst Christoph Hess
Ludwig Emil Grimm
Male figure holding a flute reclining on a rock and pointing over the heads of two children, from "The Triton Group"
Salvator Rosa
Piping satyr and two fauns, from "The Triton Group"
Salvator Rosa
Five battling tritons, from "The Triton Group"
Salvator Rosa
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond
Jusepe de Ribera (called Lo Spagnoletto)
Interior of Lemercier's Lithographic Printing House
Victor Adam
A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
Rest on the flight into Egypt, the Virgin seated on grass in a grove with the Christ Child in her lap, at right Joseph reclines and points toward them, a donkey beyond Joseph
Camillo Procaccini
Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond
Giacomo Piccini
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Goya (Francisco de Goya y Lucientes)
Plate 31 of "La Tauromaquia": Banderillas with firecrackers
Goya (Francisco de Goya y Lucientes)
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull
Goya (Francisco de Goya y Lucientes)
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
Goya (Francisco de Goya y Lucientes)
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
Goya (Francisco de Goya y Lucientes)
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
Goya (Francisco de Goya y Lucientes)
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza
Goya (Francisco de Goya y Lucientes)
Le Jouer de Vielle (The Hurdy-Gurdy Player), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Jacques Callot
La Jouer de Cornemuse (The Bagpipe Player), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Jacques Callot
Frontispiece, from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Jacques Callot
Hocus Pocus–or Conjurors Raising the Wind
Charles Williams
A Paradice [sic] for Fools–A Nocturnal Trip–or–The Disciple of Johanna benighted–vided Scourge No. XXXVI, page 510
Charles Williams
A Peep at St. Peter or The Poet in a Pickle
Anonymous, British, 18th century
Cestina Warehouse or Belly Piece Shop
Isaac Cruikshank
A Sepulchral Enquiry into English History
George Cruikshank
The Wedding Night
Isaac Cruikshank
Demaskiert (Unmasks)
Ernst Oppler
Lille: Ruine
Ernst Oppler
Lille: Porte de Donai
Ernst Oppler
The Crucifixion
Hendrick Goltzius
Coquette
Ernst Oppler
Pursuit
Ernst Oppler
Vision
Joseph Vogel
The Dressmaker
Henri Jean Augustin de Braekeleer
River God Po reclining on a rocky bank, a winged putto and long-necked water bird stand behind his legs
Giovanni Battista Scultori
Two winged putti riding parallel on dolphins above the water surface, an oval composition
Adamo (Ghisi) Scultori
Hercules at the cross-roads, he is seated at the right, to the left are female personifications of Virtue and Vice
Adamo (Ghisi) Scultori
Shepherd and Shepherdess, Playing Flute
Marco San Martino
Port Scene
Pierre Moreau
View of a Funerary Monument and Crypt
Pierre Moreau
View of a Temple
Pierre Moreau
Funerary Scene in a Temple
Pierre Moreau
Bacchanale with Children and Donkey
Jean-Baptiste Carpeaux
Title Page from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
The Battle of Constantine at the Milvian Bridge, after Raphael
Giovanni Battista Cavalieri
Carl Ernst Christoph Hess
Ludwig Emil Grimm
Male figure holding a flute reclining on a rock and pointing over the heads of two children, from "The Triton Group"
Salvator Rosa
Piping satyr and two fauns, from "The Triton Group"
Salvator Rosa
Five battling tritons, from "The Triton Group"
Salvator Rosa
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond
Jusepe de Ribera (called Lo Spagnoletto)
Interior of Lemercier's Lithographic Printing House
Victor Adam
A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
Rest on the flight into Egypt, the Virgin seated on grass in a grove with the Christ Child in her lap, at right Joseph reclines and points toward them, a donkey beyond Joseph
Camillo Procaccini
Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond
Giacomo Piccini
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Goya (Francisco de Goya y Lucientes)
Plate 31 of "La Tauromaquia": Banderillas with firecrackers
Goya (Francisco de Goya y Lucientes)
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull
Goya (Francisco de Goya y Lucientes)
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
Goya (Francisco de Goya y Lucientes)
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
Goya (Francisco de Goya y Lucientes)
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
Goya (Francisco de Goya y Lucientes)
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza
Goya (Francisco de Goya y Lucientes)
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